00:00:00.000 - 00:00:30.800

[TEST TONE] MAN 1: In this one, [INAUDIBLE] one woman and how he communicates, "I love you." And it takes her into this world.

00:00:30.800 - 00:00:38.710

And all of them then kind of celebrating this one guy. WOMAN 1: He is [INAUDIBLE] of this movie. MAN 2: And he know's the-- WOMAN 1: But tell me--

00:00:38.710 - 00:00:43.240

MAN 2: Just one thing. Just trust me [INAUDIBLE]. WOMAN 1: [INAUDIBLE]. Can you trust me?

00:00:43.240 - 00:00:49.060

Trust me. MAN 2: There's only one thing I'm asking for. WOMAN 1: No, you keep on changing like that every time. MAN 2: When did it change?

00:00:49.060 - 00:01:00.760

WOMAN 1: Every time we do something nice, we change it. I'm telling you, this will be very different from what anyone has ever seen. The kind of dance, I have designed it only for her

00:01:00.760 - 00:01:07.870

costume because she on her own cannot move also. MAN 2: I don't want her to dance. I said, I feel with the dance of the beast is-- WOMAN 1: But she is not dancing.

00:01:07.870 - 00:01:18.430

The beast is only dancing with her even in this. MAN 2: Please don't [INAUDIBLE] beast. [INAUDIBLE] I'm just not finding it very exciting at all.

00:01:23.390 - 00:01:29.340

MAN 1: [INAUDIBLE] The story interests me more. The story [INAUDIBLE]. [INTERPOSING VOICES] WOMAN 1: So then we should have a story

00:01:29.340 - 00:01:35.420

and not do her dance then. We should just kill the story. If you're doing it in a ballet form-- MAN 1: Let's--

00:01:35.420 - 00:01:41.200

WOMAN 1: If you're doing music [INAUDIBLE],, let's toss, I think. MAN 2: Can we talk? We just [INAUDIBLE].

00:01:41.200 - 00:01:57.590

[LAUGHTER] [INTERPOSING VOICES] WOMAN 1: And don't wink at [INAUDIBLE].. [INAUDIBLE]

00:01:57.590 - 00:02:10.780

And we have [AUDIO OUT] somebody watching and [AUDIO OUT] cut to this [AUDIO OUT] who are watching her and they don't know who this beautiful [INAUDIBLE].. [AUDIO OUT] come out, we have more build up shots [INAUDIBLE]

00:02:10.780 - 00:02:15.190

and all. And then they come to you and you're scared. You try to run away. They all catch you.

00:02:15.190 - 00:02:34.120

And [AUDIO OUT] dance with you, what you saw. [CHATTER] WOMAN 1: They'll dance with you, put you down this hard line. They'll carry you and take you.

00:02:34.120 - 00:02:46.130

Then let her dance, and then one person who lives. And he [INAUDIBLE] you, and then he dies later. [CHATTER] [INAUDIBLE]

00:02:46.130 - 00:06:58.190

[CHATTER] MAN 4: [INAUDIBLE],, Are you enjoying all the noise? [CHATTER] WOMAN 1: Beam.

00:06:58.190 - 00:07:09.890

Beam. Beam, beam. [CHATTER] [INAUDIBLE] Hey, listen to me.

00:07:12.470 - 00:07:25.130

You have [INAUDIBLE] number? [NON-ENGLISH SPEECH] I need one guy who is big. You two looking so fat in this.

00:07:25.130 - 00:07:30.180

CREW: [INAUDIBLE] WOMAN 1: [INAUDIBLE] use you. Look at you. [INAUDIBLE]

00:07:30.180 - 00:07:35.690

CREW: [INAUDIBLE] dancer. WOMAN 1: Who? CREW: [INAUDIBLE] WOMAN 1: I need a good body.

00:07:35.690 - 00:07:40.950

CREW: He's big also. WOMAN 1: Who has [INAUDIBLE] number? CREW: I'll get for you. WOMAN 1: Can you call him tomorrow?

00:07:40.950 - 00:07:48.020

CREW: [INAUDIBLE] WOMAN 1: [INAUDIBLE] CREW: Hm. WOMAN 1: Tell him he'll be wearing a mask and everything.

00:07:48.020 - 00:08:08.510

CREW: OK. [NON-ENGLISH SPEECH] [CHATTER] WOMAN 1: [INAUDIBLE]

00:08:08.510 - 00:08:16.950

[NON-ENGLISH SPEECH] You just see this beautiful girl? They catch her. They're trying to catch her.

00:08:16.950 - 00:08:23.850

She's running. They start fighting amongst themselves for her. And one person wins. And he takes her and he dances with her,

00:08:23.850 - 00:08:31.320

this mating kind of dance. That is what we have made. MAN 5: So now just one person? WOMAN 1: No, now, everyone.

00:08:31.320 - 00:08:35.090

It looks spectacular with so many. MAN 5: Nine, huh? WOMAN 1: Nine, yeah. MAN 5: Nine.

00:08:39.900 - 00:08:51.820

WOMAN 1: [INAUDIBLE], boys. Boys are not there in this. Boys are not there in this. MAN 6: This is her only, No, no.

00:08:51.820 - 00:08:56.600

This is second shot. WOMAN 1: We want anybody moving off here? MAN 6: This is there POV. WOMAN 1: OK, OK.

00:08:56.600 - 00:09:02.840

MAN 6: They'll quickly come like this, and come here. When we come here, it'll be fully opened. WOMAN 1: [INAUDIBLE] MAN 6: It fully opens up.

00:09:02.840 - 00:09:16.610

Maybe you can [INAUDIBLE]. WOMAN 1: [INAUDIBLE]. Where you want from? Where you want from?

00:09:16.610 - 00:09:38.700

Here? Here? [CHATTER] [NON-ENGLISH]

00:09:38.700 - 00:10:07.160

Hey, boys can go out for five minutes. [CHATTER] MAN 7: Boys, follow me. [CHATTER]

00:10:20.790 - 00:10:36.960

WOMAN 1: [NON-ENGLISH SPEECH] We are ready. [CHATTER] [WHISTLE] [MUSIC PLAYING]

00:10:47.330 - 00:11:00.580

WOMAN 1: He can't even do this. [WHISTLE] WOMAN 1: [INAUDIBLE]. Ready now?

00:11:00.580 - 00:11:36.750

[CHATTER] [NON-ENGLISH SPEECH] [CHATTER] [NON-ENGLISH SPEECH]

00:11:36.750 - 00:11:48.150

Should I just tell you I'm going to whistle now so you can do this? [NON-ENGLISH SPEECH] WOMAN 3: Yeah?

00:11:48.150 - 00:12:01.630

WOMAN 1: We'll take from that turn. We'll match from that turn. From here, from this turn-- actually, when you do this, no, it

00:12:01.630 - 00:12:15.530

looks nice even if you can do two here. Then you come running here. And it's here, up here. Turn, improvise whatever you can do with this.

00:12:15.530 - 00:12:23.230

WOMAN 3: I was thinking [INAUDIBLE].. [BANGING] WOMAN 1: Huh? WOMAN 3: I was just thinking [INAUDIBLE]..

00:12:23.230 - 00:12:29.270

She's just walking. WOMAN 1: Yeah, and then just walk like this, correct. This is nice, yeah. Lovely.

00:12:29.270 - 00:12:35.000

Shall I remove this? WOMAN 3: No, I'll take this too so [INAUDIBLE].. WOMAN 1: Yeah, yeah. WOMAN 3: [INAUDIBLE]

00:12:35.000 - 00:12:47.970

WOMAN 1: OK, one final end take [INAUDIBLE].. [CHATTER] You have blocked this whole set. There is no place to go anywhere.

00:12:47.970 - 00:13:05.210

[NON-ENGLISH SPEECH] All ready? [CHATTER] WOMAN 1: Lovely, it looks.

00:13:08.010 - 00:13:24.830

[INAUDIBLE] Mind-blowing shot. [CHATTER] Tell me something, [? Ramu, ?] when it comes out here,

00:13:24.830 - 00:13:44.290

do you want something to jump into scene in the foreground? Just a form or something. CREW: [INAUDIBLE]. WOMAN 1: Part of the roses.

00:13:44.290 - 00:13:52.240

Part of the roses. CREW: [INAUDIBLE] show it to 10 people. WOMAN 1: He bought [INAUDIBLE]? You ask him [INAUDIBLE] and end credits, rolling title--

00:13:52.240 - 00:14:05.470

rolling title will come. Outtakes [INAUDIBLE]. [INAUDIBLE] like this music only. Forget anything else.

00:14:05.470 - 00:14:20.140

Do not go beyond the music stage. CREW: [INAUDIBLE]. WOMAN 1: No, this concept of this music [INAUDIBLE].. [CHATTER]

00:14:37.180 - 00:15:08.360

Many dancers [NON-ENGLISH SPEECH].. Ready, ready, ready? [? Viyush? ?] [? Micah, ?] [? Mike? ?] [? Micah, ?] [? Mike? ?]

00:15:08.360 - 00:15:25.660

[CHATTER] WOMAN 1: [INAUDIBLE] get Mike. He does. CREW: See the a spot on the trees?

00:15:25.660 - 00:15:40.000

We think-- when we shot it coming [INAUDIBLE].. [CHATTER] WOMAN 1: No, yeah, just tell him that I've called up. There's a dance piece with [? Urmila ?]

00:15:40.000 - 00:15:50.590

and his face will be covered with a mask that we'll discuss [INAUDIBLE]. It's only one day's job, half day's. Just send [INAUDIBLE].

00:15:50.590 - 00:16:31.990

No, no. WOMAN 3: He said he's [INAUDIBLE].. WOMAN 1: [NON-ENGLISH SPEECH] CREW: This OK?

00:16:31.990 - 00:16:37.990

WOMAN 1: Very nice. CREW: [INAUDIBLE] WOMAN 1: Where do I [INAUDIBLE]? WOMAN 3: The turns are very good.

00:16:37.990 - 00:16:45.130

WOMAN 1: The turns are very nice. They look nice. That last one, if you can just bend down and take your thing up like that, no?

00:16:45.130 - 00:16:50.600

WOMAN 3: I was, but [INAUDIBLE]. WOMAN 1: Yeah, just this. Don't take that leg up. It looking similar to yesterday's.

00:16:50.600 - 00:16:55.580

WOMAN 3: [NON-ENGLISH SPEECH] WOMAN 1: Just take-- bend down. Hold the branch and take a bend down if you want.

00:16:55.580 - 00:17:06.550

WOMAN 3: Or should I come here and-- WOMAN 1: No, I like that bend down which you do. WOMAN 3: OK. WOMAN 1: Ready, one more?

00:17:06.550 - 00:17:14.220

[INTERPOSING VOICES] WOMAN 3: When [INAUDIBLE],, when he is there and then lifting up this dress, right? WOMAN 1: Yeah, yeah.

00:17:14.220 - 00:17:27.470

WOMAN 3: OK [CHATTER] WOMAN 1: Ready? [? Piyush ?] ready?

00:17:27.470 - 00:17:56.170

Sound. [MUSIC PLAYING] 1, 2, 3, 4. Nice.

00:17:56.170 - 00:18:02.920

[WHISTLE] Lovely, OK. You want tight of this, [? Ramu? ?] Will you take a tight of this? CREW: [INAUDIBLE]

00:18:02.920 - 00:18:11.730

WOMAN 1: Nice and [INAUDIBLE]. Want a tight of this? 75, you want to take? You want to try one with somebody om the floor.

00:18:11.730 - 00:18:23.150

MAN 11: 5, 6, 7, 8, 1, 2, 3, 4. 5, 6, 7, 8, 2, 2, 3, 4. 5, 6, 7, 8, 1, 2, 3, 4. 5, 6, 7, 8.

00:18:23.150 - 00:18:27.880

[INTERPOSING VOICES] 5, 6, 7, 8. WOMAN 1: 5! [LAUGHTER]

00:18:27.880 - 00:18:32.350

MAN 11: 1, 2, 3, 4, 5, 6, 7, 8. WOMAN 1: [INAUDIBLE] MAN 11: 1, 2, 3, 4. 5, 6, 7, 8.

00:18:32.350 - 00:18:36.790

WOMAN 1: Without [INAUDIBLE],, you were dying. OK? Ready? 5--

00:18:36.790 - 00:18:40.760

MAN 11: 5. WOMAN 1: 5. I'll advise them. 5, 6, 7--

00:18:40.760 - 00:18:49.210

MAN 11: 5, 6, 7, 8 and 1, 2, 3, 4, 5-- WOMAN 1: Keep it [INAUDIBLE] low. WOMAN 1: [INTERPOSING VOICES] MAN 11: 5, 6, 7, 8.

00:18:49.210 - 00:19:12.970

[INTERPOSING VOICES] WOMAN 1: And here she goes up sort of. [LAUGHTER] [NON-ENGLISH SPEECH]

00:19:12.970 - 00:19:19.530

WOMAN 1: 5-- MAN 11: 5, 6, 7, 8, 1, 2-- [LAUGHTER] MAN 11: No, no, no, no.

00:19:19.530 - 00:19:32.710

6, 7, 8. 1, 2, 3, 4. [NON-ENGLISH SPEECH] MAN: [BARKING]

00:19:32.710 - 00:19:41.330

[LAUGHTER] WOMAN 1: It's a good thing that I love you. [NON-ENGLISH SPEECH] MAN 11: [NON-ENGLISH]

00:19:41.330 - 00:19:52.480

WOMAN 1: You want some more, [INAUDIBLE],, or is that OK? Little bit more? We'll do the same thing again or we'll continue. [CHATTER]

00:20:03.940 - 00:20:39.070

[NON-ENGLISH SPEECH] MAN 11: 5, 6, 7, 8, 1, 2, 3, 4, 5, 6, 7, 8. 1, 2, 3, 4, 5, 6-- [INTERPOSING VOICES]

00:20:41.010 - 00:20:55.980

[LAUGHTER] [NON-ENGLISH SPEECH] WOMAN 1: 1, 2, 3, 4. [LAUGHTER]

00:20:59.450 - 00:21:15.380

OK? [NON-ENGLISH SPEECH] OK, I think we will get something out of that. Shall I remove the mic?

00:21:15.380 - 00:24:20.000

[TRAFFIC NOISES] WOMAN 4: He's going to stop when he can. MAN 13: [INAUDIBLE]. WOMAN 4: Nick, he's going to stop when he can

00:24:20.000 - 00:24:32.510

so you can change [INAUDIBLE]. MAN 14: Yeah there's cabs all right.